SYNCHRON-ized Chamber Strings

Introduction

Welcome to the Vienna Symphonic Library's series of Synchron Instruments! SYNCHRON-ized Chamber Strings was specifically created to enrich your tonal palette with a nuanced, intimate, yet expressive and dynamic small string ensemble sound, which not only covers the entire spectrum of chamber music literature, but can also enhance any larger string orchestra. This document will provide you with the information you need to use the Library with our Vienna Synchron Player.

For creating SYNCHRON-ized Chamber Strings, our sound editors went back to the raw, unprocessed sample data of the Chamber Strings I Collection. The original recordings were completely re-edited and re-mastered in order to achieve an all-new, modern chamber string sound that excels in terms of aesthetics, playability and realism, and that is optimized for use alongside the Synchron Series instruments.

About Presets

For SYNCHRON-ized Chamber Strings, our software developers added a specifically designed convolution reverb derived from Vienna MIR Pro to the Synchron Player, featuring the outstanding and unique ambience of the 540 m2 (5,813 sq.ft.) main hall of Synchron Stage Vienna. The perfectly engineered reverberation and placement presets combine customized impulse responses with expertly crafted reverb settings for each group of the ensemble. By adding the ambience of Synchron Stage Vienna's Stage A to the dry samples in real-time, SYNCHRON-ized Chamber Strings perfectly blend with any other product of our Synchron Series.

For each ensemble, there are 7 Mixer Presets that depict different recording situations: Close, Classic, Wide, Distant, Ambience, Narrow Close, and Narrow Ambience. In the last two, the ensembles are placed closer to each other, like in a chamber orchestra. Please note that these are not compatible with Synchron Strings I.

Sound categories

The Presets of each instrument group are subdivided into 8 different Articulation categories (plus a ninth named "Custom", ready for your own creations):

• Short Notes
• Long Notes
• Legato
• Dynamics
• Tremolo
• Half tone trill
• Whole tone trill
• Pizzicato

Within these Articulation categories, you can select a Type (if applicable), e.g., soft or normal legato, and for some of the types there are additional options available, such as Attack or Tremolo Control.

Velocity XFade Presets

Apart from the regular Presets, you will also find dedicated Velocity Crossfade Presets in your player's browser window. These contain the same Articulations; however, with the difference that Velocity XF is activated. Moreover, Dim-Ctrl/A (attack) is set to velocity control from 0 to 75 (MIDI values 0–95) with a flat curve as shown in the Control Tab.

The Velocity XF Presets allow you to crossfade between velocities with MIDI CC2, while keystroke velocity affects the amount of marcato where applicable.

About Patches

Patches can be used to build your own custom Presets and adapt the Synchron Libraries to your specific requirements. The Patch information in this document is derived from the original Chamber Strings I Patch descriptions.

About Pitch

For designating pitch, the Vienna Symphonic Library uses International Pitch Notation (IPN), which was agreed upon internationally under the auspices of the Acoustical Society of America. In this system the international standard of A=440 Hz is called A4 and middle C is C4. All pitches are written as capital letters, their respective octave being indicated by a number next to it. The lowest C on the piano is C1 (the A below that is A0), etc.

The Synchron Player software allows you to set middle C to C3, C4, or C5 according to your preference. Selecting another setting than C4 will of course also change the play ranges and keyswitches accordingly.

Included Preset

The Chamber Strings Preset comprises all recorded Patches in Articulation groups, which again contain Types of the respective Articulation, with further options if available. The general structure was modeled after our Synchron Strings I Collection, making it easy to switch or combine string sections without major adaptations.

Articulations are disabled by default. Enabling an Articulation means that all the Types contained will be activated, too, so if you happen to be short of RAM it is advisable only to activate what you really need (you can always add more Types later).

By default the keyswitches for Articulations are mapped from C1 to G#1 (for Middle C = C4) for violins, violas, and cellos, and C5 to G#5 for the double basses. For the available Types, the keyswitches start from F2 for violins and violas, and from F6 for cellos and basses.

Additional options within Articulations or Types are offered by the Dimension Controllers. The controller function is indicated by the respective caption, as of course it may take on different tasks as needed.

You can find more information about individual articulations in the "Patches" section starting on page 14.

Strings all, Strings all Narrow Presets

Apart from the individual string ensembles, there are also regular and 'narrow' Presets featuring Patches containing all ensembles. The combined strings do not have any legato Patches, so the Legato Articulation slot remains empty. They are especially useful for quick layouts and for playing an entire string orchestra live!

• Mapping range: B0–G7

  • Basses B0–E2
  • Cellos C2–B3
  • Violas C3–B5
  • 2nd violins C4–B5
  • 1st violins C5–G7

• Articulation keyswitches: C~–G#~

• Type keyswitches: F0–G#0

Short notes

Spiccato, staccato, short and long détaché. There are no further options to these articulation types.

Long notes

Sustained notes with soft attack, normal, marcato, and flautando.

Soft, Normal

Use Dim.Ctrl/B (CC1) to switch between vibrato and no vibrato, as well as the vibrato/no vibrato crossfading option.

XF vibrato

Use Dim.Ctrl/C (CC20) to crossfade between vibrato styles.

Marcato

As above with normal sustains, but with the option to use Dim.Ctrl/A (CC3) to add marcato attacks to the notes.

Flautando

There is no further option to this articulation type.

Legato

Performance legato with soft attack, normal, marcato, fast legato normal and marcato, portamento, and Autospeed.

Soft, Normal, Fast, Portamento

Use Dim.Ctrl/B (CC1) to switch between vibrato styles and the vibrato crossfade option.

Marcato, Fast marcato

As above with normal legato, but with the option to use Dim.Ctrl/A (CC3) to add marcato attacks to the notes.

Auto-speed

This option implements a speed controller on Dim.Ctrl/D to switch automatically between normal and fast legato.

Dynamics

Sforzato, fortepiano, crescendo and diminuendo.

Sforzato, Fortepiano

Use Dim.Ctrl/B (CC1) to switch between vibrato styles and the vibrato crossfade option.

Crescendo, Diminuendo

There are no further options to these articulation types.

#

Tremolo

With this Articulation, you can add a marcato attack to the notes with the help of Dim.Ctrl/A (CC3), and crossfade between vibrato and tremolo using Dim.Ctrl/E (CC4).

Half tone trill, Whole tone trill

The trills are implemented plain and with a marcato attack option, where you can dse Dim.Ctrl/A (CC3) to add marcato attacks to the notes.

Pizzicato

Pizzicato and Snap pizzicato. There are no further options for these articulation types.

Custom

This Articulation does not yet contain any samples. It provides 6 slots ready for you to configure presets of your own.

Included Patches

Patches can be used to customize your own Presets according to your needs and preferences. This section lists the available Articulations for all ensembles.

01 SYzd Chamber Violins 1

• Range: G3–G7

01 SVI-6A_Short-stac - Staccato

• Velocity Layers: 5
• Variations: 8
• Samples: 1217

02 SVI-6A_Short-spic - Spiccato

• Velocity Layers: 3
• Variations: 8
• Samples: 675

03 SVI-6A_Short-det - Short détaché

• Velocity Layers: 4
• Variations: 8
• Release samples
• Samples: 1165

03 SVI-6A_Short-detLo - Long détaché

• Velocity Layers: 4
• Variations: 4
• Release samples
• Samples: 588

04 SVI-6A_Long-Vib - Sustained, vibrato

• Velocity Layers: 5
• Variations: 4
• Release samples
• Samples: 2171

15 SVI-6A_Long-noV - Sustained, no vibrato

• Velocity Layers: 3
• Variations: 4
• Release samples
• Samples: 1258

06 SVI-6A_Lo-Soft-Vib - Sustained with soft attack, vibrato

• Velocity Layers: 5
• Release samples
• Samples: 712

07 SVI-6A_Lo-Soft-noV - Sustained with soft attack, no vibrato

• Velocity Layers: 3
• Release samples
• Samples: 441

08 SVI-6A_flaut - Flautando

• Velocity Layers: 2: 0–80 no vibrato, 81–127 with vibrato
• Release samples
• Samples: 98

09 SVI-6A_cre - Crescendo, with vibrato, 4 sec

• Velocity Layers: 2: 0–80, 81–127
• Samples: 127

10 SVI-6A_dim - Diminuendo, with vibrato, 4 sec

• Velocity Layers: 2: 0–80, 81–127
• Samples: 52

11 SVI-6A_Legato-Vib - Legato, with vibrato

• Monophonic
• Velocity Layers: 5
• Release samples
• Samples: 7298

12 SVI-6A_Legato-noV - Legato, no vibrato

• Monophonic
• Velocity Layers: 3
• Release samples
• Samples: 4323

13 SVI-6A_Leg-Soft-Vib - Legato, soft attack, with vibrato

• Monophonic
• Velocity Layers: 5
• Release samples
• Samples: 5818

14 SVI-6A_Leg-Soft-noV - Legato, soft attack, no vibrato

• Monophonic
• Velocity Layers: 3
• Release samples
• Samples: 3507

15 SVI-6A_Porta-Vib - Portamento, with vibrato

• Monophonic
• Velocity Layers: 5
• Release samples
• Samples: 7271

16 SVI-6A_Porta-noV - Portamento, no vibrato

• Monophonic
• Velocity Layers: 3
• Release samples
• Samples: 4337

17 SVI-6A_Leg-Fast - Performance trills/fast legato

• Monophonic
• Velocity Layers: 5
• Release samples
• Samples: 18992

31 SVI-6A_fp_Vib - Fortepiano, vibrato

• Velocity Layers: 2
• Samples: 392

32 SVI-6A_fp_noV - Fortepiano, no vibrato

• Velocity Layers: 2
• Samples: 392

33 SVI-6A_sfz_Vib - Sforzato, vibrato

• Velocity Layers: 1
• Samples: 147

34 SVI-6A_sfz_noV - Sforzato, no vibrato

• Velocity Layers: 1
• Samples: 147

41 SVI-6A_trem - Tremolo sustained

• Velocity Layers: 3
• Release samples
• Samples: 222

42 SVI-6A_trill_1 - Trills, half tone

• Velocity Layers: 2
• Release samples
• Range: G3–F7
• Samples: 96

43 SVI-6A_trill_2 - Trills, whole tone

• Velocity Layers: 2
• Release samples
• Range: G3–F7
• Samples: 96

51 SVI-6A_Pizz - Pizzicato

• Velocity Layers: 3
• Variations: 2
• Samples: 294

52 SVI-6A_Pizz-snap - Snap or Bartók pizzicato

• Velocity Layers: 1
• Variations: 2
• Samples: 50

02 SYzd Chamber Violins 2

• Range: G3–E7

01 SVI-6B_Short-stac - Staccato

• Velocity Layers: 5
• Variations: 8
• Samples: 1160

02 SVI-6B_Short-spic - Spiccato

• Velocity Layers: 3
• Variations: 8
• Samples: 648

03 SVI-6B_Short-det - Détaché

• Velocity Layers: 4
• Variations: 8
• Release samples
• Samples: 1106

03 SVI-6B_Short-detLo - Long détaché

• Velocity Layers: 4
• Variations: 4
• Release samples
• Samples: 552

04 SVI-6B_Long-Vib - Sustained, vibrato

• Velocity Layers: 5
• Variations: 4
• Release samples
• Samples: 2036

15 SVI-6B_Long-noV - Sustained, no vibrato

• Velocity Layers: 3
• Variations: 4
• Release samples
• Samples: 1183

06 SVI-6B_Lo-Soft-Vib - Sustained with soft attack, vibrato

• Velocity Layers: 5
• Release samples
• Samples: 668

07 SVI-6B_Lo-Soft-noV - Sustained with soft attack, no vibrato

• Velocity Layers: 3
• Release samples
• Samples: 414

08 SVI-6B_flaut - Flautando

• Velocity Layers: 2: 0–80 no vibrato, 81–127 with vibrato
• Release samples
• Samples: 92

09 SVI-6B_cre - Crescendo, with vibrato, 4 sec

• Velocity Layers: 2: 0–80, 81–127
• Samples: 119

10 SVI-6B_dim - Diminuendo, with vibrato, 4 sec

• Velocity Layers: 2: 0–80, 81–127
• Samples: 48

11 SVI-6B_Legato-Vib - Legato, with vibrato

• Monophonic
• Velocity Layers: 5
• Release samples
• Samples: 6918

12 SVI-6B_Legato-noV - Legato, no vibrato

• Monophonic
• Velocity Layers: 3
• Release samples
• Samples: 4131

13 SVI-6B_Leg-Soft-Vib - Legato, soft attack, with vibrato

• Monophonic
• Velocity Layers: 5
• Release samples
• Samples: 5529

14 SVI-6B_Leg-Soft-noV - Legato, soft attack, no vibrato

• Monophonic
• Velocity Layers: 3
• Release samples
• Samples: 3333

15 SVI-6B_Porta-Vib - Portamento, with vibrato

• Monophonic
• Velocity Layers: 5
• Release samples
• Samples: 6891

16 SVI-6B_Porta-noV - Portamento, no vibrato

• Monophonic
• Velocity Layers: 3
• Release samples
• Samples: 4113

17 SVI-6B_Leg-Fast - Performance trills/fast legato

• Monophonic
• Velocity Layers: 5
• Release samples
• Samples: 18080

31 SVI-6B_fp_Vib - Fortepiano, vibrato

• Velocity Layers: 2
• Samples: 368

32 SVI-6B_fp_noV - Fortepiano, no vibrato

• Velocity Layers: 2
• Samples: 368

33 SVI-6B_sfz_Vib - Sforzato, vibrato

• Velocity Layers: 1
• Samples: 138

34 SVI-6B_sfz_noV - Sforzato, no vibrato

• Velocity Layers: 1
• Samples: 138

41 SVI-6B_trem - Tremolo sustained

• Velocity Layers: 3
• Release samples
• Samples: 210

42 SVI-6B_trill_1 - Trills, half tone

• Velocity Layers: 2
• Release samples
• Range: G3–D#7
• Samples: 92

43 SVI-6B_trill_2 - Trills, whole tone

• Velocity Layers: 2
• Release samples
• Range: G3–D7
• Samples: 92

51 SVI-6B_Pizz - Pizzicato

• Velocity Layers: 3
• Variations: 2
• Samples: 276

52 SVI-6B_Pizz-snap - Snap or Bartók pizzicato

• Velocity Layers: 1
• Variations: 2
• Samples: 48

03 SYzd Chamber Violas

• Range: C3–E6

01 SVA-4_Short-stac - Staccato

• Velocity Layers: 5
• Variations: 8
• Samples: 1021

02 SVA-4_Short-spic - Spiccato

• Velocity Layers: 3
• Variations: 8
• Samples: 567

03 SVA-4_Short-det - Détaché

• Velocity Layers: 5
• Variations: 8
• Release samples
• Samples: 1018

03 SVA-4_Short-detLo - Long détaché

• Velocity Layers: 4
• Variations: 4
• Release samples
• Samples: 555

04 SVA-4_Long-Vib - Sustained, vibrato

• Velocity Layers: 4
• Variations: 4
• Release samples
• Samples: 1456

15 SVA-4_Long-noV - Sustained, no vibrato

• Velocity Layers: 3
• Variations: 4
• Release samples
• Samples: 1091

06 SVA-4_Lo-Soft-Vib - Sustained with soft attack, vibrato

• Velocity Layers: 4
• Release samples
• Samples: 473

07 SVA-4_Lo-Soft-noV - Sustained with soft attack, no vibrato

• Velocity Layers: 3
• Release samples
• Samples: 369

08 SVA-4_flaut - Flautando

• Velocity Layers: 2: 0–80 no vibrato, 81–127 with vibrato
• Release samples
• Samples: 82

09 SVA-4_cre - Crescendo, with vibrato, 4 sec

• Velocity Layers: 2: 0–80, 81–127
• Samples: 107

10 SVA-4_dim - Diminuendo, with vibrato, 4 sec

• Velocity Layers: 2: 0–80, 81–127
• Samples: 44

11 SVA-4_Legato-Vib - Legato, with vibrato

• Monophonic
• Velocity Layers: 4
• Release samples
• Samples: 3232

12 SVA-4_Legato-noV - Legato, no vibrato

• Monophonic
• Velocity Layers: 3
• Release samples
• Samples: 2423

13 SVA-4_Leg-Soft-Vib - Legato, soft attack, with vibrato

• Monophonic
• Velocity Layers: 4
• Release samples
• Samples: 2249

14 SVA-4_Leg-Soft-noV - Legato, soft attack, no vibrato

• Monophonic
• Velocity Layers: 3
• Release samples
• Samples: 1702

15 SVA-4_Porta-Vib - Portamento, with vibrato

• Monophonic
• Velocity Layers: 4
• Release samples
• Samples: 3232

16 SVA-4_Porta-noV - Portamento, no vibrato

• Monophonic
• Velocity Layers: 3
• Release samples
• Samples: 2423

17 SVA-4_Leg-Fast - Performance trills/fast legato

• Monophonic
• Velocity Layers: 4
• Release samples
• Samples: 7294

31 SVA-4_fp_Vib - Fortepiano, vibrato

• Velocity Layers: 2
• Samples: 309

32 SVA-4_fp_noV - Fortepiano, no vibrato

• Velocity Layers: 2
• Samples: 309

33 SVA-4_sfz_Vib - Sforzato, vibrato

• Velocity Layers: 1
• Samples: 123

34 SVA-4_sfz_noV - Sforzato, no vibrato

• Velocity Layers: 1
• Samples: 123

41 SVA-4_trem - Tremolo sustained

• Velocity Layers: 3
• Release samples
• Samples: 186

42 SVA-4_trill_1 - Trills, half tone

• Velocity Layers: 2
• Release samples
• Range: C3–D#6
• Samples: 80

43 SVA-4_trill_2 - Trills, whole tone

• Velocity Layers: 2
• Release samples
• Range: C3–D6
• Samples: 80

51 SVA-4_Pizz - Pizzicato

• Velocity Layers: 3
• Variations: 2
• Samples: 246

52 SVA-4_Pizz-snap - Snap or Bartók pizzicato

• Velocity Layers: 1
• Variations: 2
• Samples: 42

04 SYzd Chamber Cellos

• Range: C2–A5

01 SVC-3_Short-stac - Staccato

• Velocity Layers: 5
• Variations: 8
• Samples: 1127

02 SVC-3_Short-spic - Spiccato

• Velocity Layers: 3
• Variations: 8
• Samples: 621

03 SVC-3_Short-det - Détaché

• Velocity Layers: 4
• Variations: 8
• Release samples
• Samples: 1020

03 SVC-3_Short-detLo - Long détaché

• Velocity Layers: 3
• Variations: 4
• Release samples
• Samples: 392

04 SVC-3_Long-Vib - Sustained, vibrato

• Velocity Layers: 4
• Variations: 4
• Release samples
• Samples: 1659

15 SVC-3_Long-noV - Sustained, no vibrato

• Velocity Layers: 3
• Variations: 4
• Release samples
• Samples: 1211

06 SVC-3_Lo-Soft-Vib - Sustained with soft attack, vibrato

• Velocity Layers: 4
• Release samples
• Samples: 530

07 SVC-3_Lo-Soft-noV - Sustained with soft attack, no vibrato

• Velocity Layers: 3
• Release samples
• Samples: 414

08 SVC-3_flaut - Flautando

• Velocity Layers: 2
  • 0–80 no vibrato
  • 81–127 with vibrato
• Release samples
• Samples: 92

09 SVC-3_cre - Crescendo, with vibrato, 4 sec

• Velocity Layers: 2
  • 0–80
  • 81–127
• Samples: 118

10 SVC-3_dim - Diminuendo, with vibrato, 4 sec

• Velocity Layers: 2
  • 0–80
  • 81–127
• Samples: 48

11 SVC-3_Legato-Vib - Legato, with vibrato

• Monophonic
• Velocity Layers: 4
• Release samples
• Samples: 3663

12 SVC-3_Legato-noV - Legato, no vibrato

• Monophonic
• Velocity Layers: 3
• Release samples
• Samples: 2711

13 SVC-3_Leg-Soft-Vib - Legato, soft attack, with vibrato

• Monophonic
• Velocity Layers: 4
• Release samples
• Samples: 2534

14 SVC-3_Leg-Soft-noV - Legato, soft attack, no vibrato

• Monophonic
• Velocity Layers: 3
• Release samples
• Samples: 1914

15 SVC-3_Porta-Vib - Portamento, with vibrato

• Monophonic
• Velocity Layers: 4
• Release samples
• Samples: 3675

16 SVC-3_Porta-noV - Portamento, no vibrato

• Monophonic
• Velocity Layers: 3
• Release samples
• Samples: 2723

17 SVC-3_Leg-Fast - Performance trills/fast legato

• Monophonic
• Velocity Layers: 4
• Release samples
• Samples: 7417

31 SVC-3_fp_Vib - Fortepiano, vibrato

• Velocity Layers: 2
• Samples: 346

32 SVC-3_fp_noV - Fortepiano, no vibrato

• Velocity Layers: 2
• Samples: 346

33 SVC-3_sfz_Vib - Sforzato, vibrato

• Velocity Layers: 1
• Samples: 138

34 SVC-3_sfz_noV - Sforzato, no vibrato

• Velocity Layers: 1
• Samples: 138

41 SVC-3_trem - Tremolo sustained

• Velocity Layers: 3
• Release samples
• Samples: 210

42 SVC-3_trill_1 - Trills, half tone

• Velocity Layers: 2
• Release samples
• Range: C2–G#5
• Samples: 80

43 SVC-3_trill_2 - Trills, whole tone

• Velocity Layers: 2
• Release samples
• Range: C2–G5
• Samples: 80

51 SVC-3_Pizz - Pizzicato

• Velocity Layers: 3
• Variations: 2
• Range: C2–G5
• Samples: 264

52 SVC-3_Pizz-snap - Snap or Bartók pizzicato

• Velocity Layers: 1
• Variations: 2
• Range: C2–G5
• Samples: 44

05 SYzd Chamber Double Basses

• Range: B0–D4

01 SDB-2_Short-stac - Staccato

• Velocity Layers: 5
• Variations: 8
• Samples: 1013

02 SDB-2_Short-spic - Spiccato

• Velocity Layers: 3
• Variations: 8
• Samples: 567

03 SDB-2_Short-det - Détaché

• Velocity Layers: 4
• Variations: 8
• Release samples
• Samples: 944

03 SDB-2_Short-detLo - Long détaché

• Velocity Layers: 3
• Variations: 4
• Release samples
• Samples: 360

04 SDB-2_Long-Vib - Sustained, vibrato

• Velocity Layers: 3
• Variations: 4
• Release samples
• Samples: 1080

15 SDB-2_Long-noV - Sustained, no vibrato

• Velocity Layers: 3
• Variations: 4
• Release samples
• Samples: 1099

06 SDB-2_Lo-Soft-Vib - Sustained with soft attack, vibrato

• Velocity Layers: 3
• Release samples
• Samples: 360

07 SDB-2_Lo-Soft-noV - Sustained with soft attack, no vibrato

• Velocity Layers: 3
• Release samples
• Samples: 360

08 SDB-2_flaut - Flautando

• Velocity Layers: 2
  • 0–80 no vibrato
  • 81–127 with vibrato
• Release samples
• Samples: 80

09 SDB-2_cre - Crescendo, with vibrato, 4 sec

• Velocity Layers: 2
  • 0–80
  • 81–127
• Samples: 42

10 SDB-2_dim - Diminuendo, with vibrato, 4 sec

• Velocity Layers: 2
  • 0–80
  • 81–127
• Samples: 42

11 SDB-2_Legato-Vib - Legato, with vibrato

• Monophonic
• Velocity Layers: 3
• Release samples
• Samples: 3492

12 SDB-2_Legato-noV - Legato, no vibrato

• Monophonic
• Velocity Layers: 3
• Release samples
• Samples: 3511

13 SDB-2_Leg-Soft-Vib - Legato, soft attack, with vibrato

• Monophonic
• Velocity Layers: 3
• Release samples
• Samples: 2772

14 SDB-2_Leg-Soft-noV - Legato, soft attack, no vibrato

• Monophonic
• Velocity Layers: 3
• Release samples
• Samples: 2772

15 SDB-2_Porta-Vib - Portamento, with vibrato

• Monophonic
• Velocity Layers: 3
• Release samples
• Samples: 3879

16 SDB-2_Porta-noV - Portamento, no vibrato

• Monophonic
• Velocity Layers: 3
• Release samples
• Samples: 3900

17 SDB-2_Leg-Fast - Performance trills/fast legato

• Monophonic
• Velocity Layers: 3
• Release samples
• Samples: 5818

31 SDB-2_fp_Vib - Fortepiano, vibrato

• Velocity Layers: 2
• Samples: 280

32 SDB-2_fp_noV - Fortepiano, no vibrato

• Velocity Layers: 2
• Samples: 280

33 SDB-2_sfz_Vib - Sforzato, vibrato

• Velocity Layers: 1
• Samples: 120

34 SDB-2_sfz_noV - Sforzato, no vibrato

• Velocity Layers: 1
• Samples: 120

41 SDB-2_trem - Tremolo sustained

• Velocity Layers: 3
• Release samples
• Samples: 183

42 SDB-2_trill_1 - Trills, half tone

• Velocity Layers: 2
• Release samples
• Range: B0–F#4
• Samples: 76

43 SDB-2_trill_2 - Trills, whole tone

• Velocity Layers: 2
• Release samples
• Range: B0–F4
• Samples: 76

51 SDB-2_Pizz - Pizzicato

• Velocity Layers: 3
• Variations: 2
• Samples: 240

52 SDB-2_Pizz-snap - Snap or Bartók pizzicato

• Velocity Layers: 1
• Variations: 2
• Samples: 42

90 SYzd Chamber Resource

This section contains Patches with limited playing ranges for use with the "Chamber Strings all" Preset.